New teaching resource unpacks Sir David Attenborough’s incredible witness statement

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Teacher Pack – A Life on Our Planet

This teaching unit for A Life on Our Planet – David Attenborough (Netflix 2020 – directed by Alastair Fothergill, Jonnie Hughes and Keith Scholey) comes complete with assessment task options to suit inquiry learning, project-based learning, and subject-specific approaches.

‘This film is my witness statement and my vision of the future.’

The documentary, A Life on Our Planet, offers viewers an incredible insight into the life’s work of Sir David Attenborough, as he recounts his experiences and observations of the deterioration of the natural world over his 93 years on this planet.  His reflections about the state of the world are powerfully communicated and his vision for the future is compelling.

This comprehensive Teacher Pack – A Life on Our Planet equips educators with all that’s needed to deliver high-quality learning experiences which unpack the key messages of this important documentary film.

Contents (4 digital/editable/printable files ready for immediate download and use):

  1. Teacher Guide (16 page .pdf) – unit overview, inquiry questions,  suggested lesson outline, teacher answer guide, assessment tasks/extension activities information (including Focus Assessment Task – Film Festival Group Project), additional resources/links
  1. Student Booklet (14 page – .pdf/.doc formats) – pre-viewing, viewing and post-viewing activities, focus assessment task – Film Festival Group Project (including planner), other assessment tasks/extension activities (including Earthshot Prize task), additional resources
  1. Teaching PowerPoint (20 slide .pptx) – what is a documentary?, pre-viewing, viewing and post-viewing resources (including links), assessment options

Unit duration: 12+ lessons (including Film Festival Group Project)

Curriculum Links:

The Teacher Pack can be linked to the following areas within the Australian National Curriculum:

  • English
  • Media Studies
  • Science
  • Geography

A Life on Our Planet (accompanied by this Teacher Pack) is ideal for use in schools where inquiry is a priority, particularly for middle school students.  The focus assessment task, the Film Festival Group Project, has been designed as a collaborative task.

In addition, the Teacher Pack relates directly to the following General Capabilities within the Australian National Curriculum:

  • Critical and Creative Thinking
  • Personal and Social Capability
  • Ethical Understanding
  • Literacy

Taking Minimalism into the classroom – a complete teaching unit on The Minimalists’ documentary

Teacher Pack – Minimalism

Could your life be more meaningful with less?

The 2016 documentary, Minimalism: a documentary about the important things (directed by Matt D’Avella and featuring The Minimalists, Joshua Fields Millburn and Ryan Nicodemus), offers a thought-provoking answer to this question through an exploration of how individuals are finding ways to live a more fulfilled life with only what matters most.

D’Avella follows Fields Millburn and Nicodemus on their 10-month tour of the United States as they promote their book, Everything That Remains.  Along the way, viewers meet others who have adopted a minimalist approach in their lives, as well as hearing from a range of experts about how minimalism could just be the answer to many of our life’s challenges.

That’s why I’m so thrilled to have created this comprehensive Teacher Pack – MinimalismThis teaching unit equips educators with all that’s needed to deliver high-quality learning experiences which unpack the key messages of this powerful documentary film with secondary school students.

Pack contents (in digital format, ready for immediate download and use):

  • Teacher Guide – 22 pages
  • Student Booklet – 19 pages
  • Teaching PowerPoint – 23 slides

Why I created this resource

To be completely honest, this resource reflects everything I’ve set out to achieve with White Space Words.

Since I first watched Minimalism around a year ago, it’s had a real impact, both personally and in my profession as an educator.  It’s such a powerful film with so many thought-provoking messages.  I’ve taken a number of steps to simplify my life (thanks also to The Minimalists’ podcast) and, in my teaching, I’ve definitely been more reflective and deliberate (see my blog on Slow Teaching for more).

In addition, in founding White Space Words earlier this year, a deliberately minimal approach has formed the basis of all I’ve set out to achieve.  From the website’s design itself to every product available on site, my goal has been to create simple, beautiful and meaningful resources for education and inspiration, using the mantra, ‘say just enough’.

It’s a pleasure to have combined my belief in the benefits of a more minimal approach to living in the conception of an educational resource which reflects this philosophy – all the while focused on complementing an excellent documentary on that very subject.  It’s an important film with which all secondary school students should engage and my goal is that this teaching unit will make that a reality.

 

New resource teaches school students to understand what’s really going on ‘behind their screens’

Teacher Pack – The Social Dilemma

“Everything you are doing online is being tracked, watched, every single action you take is monitored thoroughly.”

There are some films which everyone should see. In particular, there are some films which every school student should see. The Social Dilemma is one of those films.

Teacher Pack – The Social Dilemma equips teachers with all that’s needed to unpack the key messages of this powerful film with classes.

This comprehensive resource pack has been designed to enable teachers to deliver high-quality and impactful learning experiences for students, as they engage with this hugely important documentary film (released by Netflix in early September 2020), which explores the dangerous human impacts of social networking and how our attention is gained, maintained and used by these platforms.

What’s included:
The pack includes three digital resources ready for immediate download and use with students:
• Teacher Guide (14 pages) – unit plan, answer guide to student booklet, inquiry questions, assignment/extension activities
• Student Booklet (10 pages) – pre-, during, post-viewing activities
• Teaching PowerPoint (21 slides) – what is a documentary, individual/group activities related to the documentary, going beyond the documentary (external links)
Recommended for use with students 13+ years (Years 7-12)

What teachers are saying:
“Every secondary school student needs to see this film and having this teaching package means I have everything I need to provide my students with an excellent range of learning experiences, with such real-world application. Better yet, aside from downloading the files, all of the preparation is done. What a win!” Donna, Senior Secondary Teacher

Why I created this resource:
I viewed The Social Dilemma shortly after its release and its messages resonated very strongly with me. It’s such a powerful film with numerous thought-provoking and important takeaways, including hope for the future. Since then, I’ve spent many hours thinking about the film and talking with others about it, which led me to create this Teacher Pack for use in schools with students. My hope is that teaching the film becomes part of school curriculum across Australia to help students understand what’s really going on ‘behind their screens’.

See more about the Teacher Pack – The Social Dilemma here.

Slow teaching – on finding space and taking time

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I started these school holidays at a pretty nice state of play for any secondary school English teacher facing a holiday period.  It was the rare circumstance of having no marking to take home with me.  All of my classes had completed assessment (analytical essays and narratives!) in the final two weeks of term and I’d made it my mission to have all of them marked, with results entered and report comments written before the holidays started.  I worked into the night and from early in the morning trying to get through it all, with that holy grail for teachers, the ‘end of term’, drawing ever closer.

I almost achieved my mission.  There were just report comments left to do for one class when the bell rang on the final day of term and I got that job out of the way within the first couple of days of the break.

Even still, I drove home that Friday afternoon at the end of term, with a crate of materials, folders, resources, books, my laptop, my favourite pens and notebooks…the ‘things’ of a teacher.  I’d joked to a colleague as I was packing my things into what happened to be a mover’s storage box that students might surmise  (as students like to do!) that I’d been ‘sacked’ if they saw me walking to my car. The thing is, I didn’t particularly care about that – I was on a mission for the break and I needed the tools of my trade on hand.

What had driven me for those final weeks of term was quite a desperate yearning for space.  Space to think and space to plan for what’s next. In essence, space to slow things down.

Space to plan

You see, I have a lovely opportunity before me.  I’m about to introduce a new subject to a class of keen and talented students at our school.  The subject is Literature, a relatively new syllabus offering in the recently-introduced ATAR system in Queensland and I am in the fortunate position of being the teacher who takes the first group of students through the two year course.  Yes, it means more work, new work, and quite a bit of work on my part in order to introduce the subject.  But, because I am that teacher, the only teacher, and there is just one class of students, I am in the loveliest of situations of being able to choose exactly what I want to do with students (obviously with the guidance of the QCAA’s Senior English syllabus), which texts we will study (albeit partly influenced by the prescribed texts lists for Units 3&4), how I will approach lessons, what learning activities we’ll do and how assessment will transpire.

“What had driven me for those final weeks of term was quite a desperate yearning for space.  Space to think and space to plan for what’s next. In essence, space to slow things down.”

It gives me space.  And I think it’s high time for some space in our education process right now.

So, as I was driving home on that Friday afternoon just a week and a bit ago, I was feeling good.  I was feeling like I’d reached a natural pause in my work life, not just because the dates dictated that school holidays were beginning, but because I’d managed to find myself at a point where I could give proper attention to an important task – the planning of a new unit of work.  Yes, it was the start of the holidays and I was looking forward to time to relax certainly.  And I’m not going to pretend that I’ve spent the whole past week of the holidays working on planning a new unit.  But I have been doing some of that.

As I drove down the long last road before I turned into my own street that afternoon and I was contemplating the pleasure of planning this new course, its first unit in particular, and the possibilities which existed in terms of approach, the term ‘slow teaching’ came into my mind.  Or maybe, ‘slow learning’.  I’ll admit neither phrase sounds quite right at first – but they grow on you if you think a little more about them.

Slow teaching – an analogy

We’ve all heard of ‘slow cooking’;  most of us have likely done our fair share.  In my mind, the principles of slow cooking and slow learning/slow teaching (I’m still deciding on my preferred term) are the same.  Taking 8 hours to slow cook a shoulder of lamb or taking 1-2 hours to oven roast that same shoulder of lamb results each in an edible meal.  But, I would argue that slow-cooking allows the lamb the time to absorb the goodness of the garlic, the rosemary and the splash of white wine;  indeed, to process and respond to those key elements, by softening and falling from the bone upon serving, and always delivers a dish with depth, far superior to its oven-roasted equivalent.

Now, I can hear the clamour almost!  Nice idea, but time is exactly the barrier! And, don’t worry, often I’ve been one of the first to cry out in frustration at the dearth of time we have to teach our subject. It seems an impossible dream; just imagine…If only we had the time in our crowded curriculum to deliver learning which enables students to process and respond as deeply as we might wish!  The reality is that time is precious and there never seems to be enough to cover all that we feel (or told!) needs to be covered.

But, I think there could be a solution.

Maybe it is possible to wrangle back time with a slow teaching approach; an approach which results in a learning experience which is far superior to its crowded, rushed, and sometimes directionless cousin.  Could part of the secret be that we need to make harder, more confident decisions about what we do and how we do it?  Not second guess our choices?  Not be swayed by every shiny new resource/idea/approach that comes volley-like at us?  Not lose sleep over leaving ‘out’ a particular activity or worksheet?

“Maybe it is possible to wrangle back time with a slow teaching approach.”

Does time in the trade make teaching any easier?

Before I outline my thinking, I’d like to pause again, to go off on a slightly different, although related tangent.  I’m literally completing my 30th year of teaching this year.  Over that period, especially when planning and teaching a unit of work for the first time, I’ve had many moments where I’ve thought to myself, well, at least next time I teach this it will be…easier, less work, more straightforward.  And, the thing is, that has been so often not the case.

Even after 30 years of teaching, it doesn’t get that much easier.  Yes, I know more – I have a better understanding of say Macbeth or Romeo and Juliet or To Kill a Mockingbird now than I had as a first or second year teacher, simply because I’ve engaged with those texts so many times over the years.  But, I don’t think that necessarily makes me a better teacher.  In some ways, it’s even harder now to know what to teach and what approach works best with students, largely because over a thirty year time span, there have been so many possibilities presented.  In some ways, I’m envious of the first and second year teachers who don’t have the filing cabinets overflowing with folders of resources collected over three decades of teaching English across eight different schools (not to mention the electronic folders and files of resources accumulated in more recent years, along with daily emails from organisations purporting to have the latest/greatest webinar on teaching and learning approaches).

When I began to plan a Macbeth unit of work earlier this year, I remember commenting to a colleague that I felt like I was drowning in a sea of resources (and I’m not usually that dramatic!).  It wasn’t so much a matter of what to use in the teaching of the unit, it was more about what not to use.  Or, should I say, what could be used best for the purposes of preparing students for writing an analytical essay under examination conditions.  In the end, I culled the tsunami down to a more manageable collection of approximately 80 pages, and for the most part, these have been useful.  The point is, I wonder whether a further distillation of these 80 pages could deliver equally strong (or even better?) outcomes.

“Could part of the secret be that we need to make harder, more confident decisions about what we do and how we do it?  Not second guess our choices?”

Dipping a toe into the slow teaching space

This brings me back to the idea of slow teaching.  Right now, I have the opportunity to implement a version of this approach with my new Literature class.  We’re about to kick off the two year course with The Crucible, another text I’ve taught many times over the years and for differing final outcomes – for a while there, we were asking English students to create and deliver an imaginative narrative; for another couple of years, students worked towards the creation of feature article.

This new group of Literature students is going to be producing an analytical essay response relating to how power is represented in the play.  In reality, given the predictable interruptions of Term 4, we’ll have around 7 weeks of lessons for the unit.

As I said, I brought home a big crate of materials for this planning exercise – folders of resources, sample essays/assignments from students over the years, syllabus documents – and I’ve spent time going through it all.  And that’s just the paper copy resources!

I’m at the stage where I’ve decided on the task question for the assessment and I’m backwards mapping from there using the key point/question list below as a guide.

If I’m adopting a slow teaching approach, these (in bold) are the non-negotiables, along with some of the questions I’m still considering.

Here’s where it’s at.

  • Introduce the ideas of literature/literary texts – how to define these texts? Whose definition do I most trust and whose definition will work best for Year 11 students?
  • Understand the context of the play – what’s key here? McCarthyism, witchhunts, 1692 Salem/theocracy?
  • Introduce ideas about power, oppression and repression – how to keep this contained/focused?
  • Read the play – as a class/individually? Which acts are most important to read together?
  • Comprehend the play – how many questions is enough? Question quality?
  • Engage with others’ readings of the play – how many? Sources of these criticisms?
  • Revise the generic conventions of analytical essay writing – how much do they already know? Where is refinement required?
  • Practise analytical essay writing – how many practices is ‘enough’?
  • Cater for all learners in my class

In short, the unit isn’t completely written. That will come. In fact, I’m quite deliberately not mapping it out down to every last detail right now.  I want to allow for some organic growth as I learn more about my students as the unit unfolds.

Back to pen and paper (and glue!)

One last decision I’ve made is controversial perhaps, but certainly related to fostering a slow-learning approach. I’m going to require my students to have an exercise book where they handwrite their work.   Yep!  They’re going to have to put the date in the margin, draw headings, and they’ll receive hard copies of worksheets, so they’ll even need glue!  Heck, they can even design a title page if they feel the urge.  I think the beauty and power of work completed in an exercise book is massively under-estimated.  The tactile nature of flicking through pages of your own work, of appreciating the endeavour, and seeing it all laid out has such potential for fostering positive impacts on learning.

Lots to learn

I’ve got a lot more to investigate around this idea and a quick Google search tells me I’m not alone in going down this path of thinking.  It also tells me that there are many and varied interpretations of the idea of slow teaching.  Jamie Thom’s book Slow Teaching:  on finding calm, clarity and impact in the classroom is on its way to me and I’m looking forward to learning more around what could be possible in this space.  His website https://www.slowteaching.co.uk/ is well worth further attention and I’ve subscribed to his podcast, The Well Teacher also.

To be honest, instead of feeling apprehensive or disorganised right now, I’m feeling quite calm.  I don’t have every last answer to how the unit will roll out just yet, but that’s okay.  And I’m hoping my students will sense in my approach a kind of permission to take their own time also, to engage and to appreciate, rather than to rush busily through their learning.

Ultimately, it’s about trusting myself to offer students a chance to deeply engage that I’m most looking forward to. Let’s see how it goes.

Catherine

 

How many words does it take to say just enough?

These three words, ‘Say just enough’, form the basis of everything we do at White Space Words.  It’s our mission to build understanding of this idea; that every word matters, but that saying less can say more, as long as it’s said with simplicity, beauty and meaning.

So, how many words does saying ‘just enough’ take?

At face value, the answer is:  it depends.  The keyword is ‘enough’.  How do we know what ‘enough’ means? Who defines what ‘enough’ is?  Does it depend on the number of words used, or is there more to it?

Is length everything?

The English teacher in me is putting up her hand immediately to reply.  Instinctively, I want to say, yes, of course length is important – our syllabuses dictate that student responses must meet length guidelines. eg. In Year 12 English, our students are required to write an analytical essay in examination conditions in 800-1000 words.  And, they do it.  Mostly quite nicely.

However, I would say also that I have seen my fair share of submissions over the years which have met the length requirement without an issue;  it’s just that the words used haven’t worked to achieve the task’s purpose.  On the other hand, I’ve known students who could have achieved the essence of the task in 100 words, such was their flair with words.

So, wearing my English teacher hat, I’d have to say, length isn’t everything.

Then, there’s the world of social media.

According to sproutsocial.com, there are times when length matters a lot.

Their advice regarding ideal lengths (as of May 2020):

  • Facebook update – 40-80 characters
  • Tweet – 71-100 characters
  • Instagram post – 138-150 characters (with 5-10 hashtags)
  • LinkedIn status update – 50-100 characters

(Read the whole article here – it’s filled with super-helpful detail.)

When I started blogging, like most people, I researched ideal blog length and came up with these answers (thanks to hubspot.com):

  • ‘how to’ blog – 1700-2100 words (You’re reading one of these right now!)
  • ‘what is’ blog – 1300-1700 words
  • blogging for SEO – 2100-2400 words

Towards the end of their blog on blogging (read it here), they state that there’s no ‘official minimum for blog post length’ (phew, at least I’m not going to have the police at my door!), but that ‘Yoast recommends at least 300 words’.  That being said, since the idea of blogging is to maximise audience reach, most people understand rankings will increase with longer content.

Of the entire article though, the sentence I like most is, ‘If you feel you’ve covered your topic well enough in 300, 800, or 1000 words, then so be it.’

Notice the word ‘enough’ there? Me too.

So we’re back to where we started.  What exactly is ‘enough’?

What is ‘enough’?

Increasingly, in our world, people are realising that filling their existence with things leads only to an increased lack of fulfilment.  We’re getting the idea that there can be ‘too much’.  Many have taken stock of what’s cluttering their lives and minds and made a conscious decision to minimise.

Perhaps consciously, perhaps sub-consciously, we’ve asked ourselves the question, ‘what is enough?’ and we’ve taken some steps to answer the question, each in our own way.  Perhaps we’ve realised we have too many shoes, or dresses, or toys.  My most recent ‘too many’ moment was with bed sheets – being kept ‘just in case’ and meanwhile taking up valuable cupboard space, when in reality they’re just not needed.  They’ve been donated now.  And I probably still have more than enough.  Exactly how many bedsheets is enough?

So, the idea of ‘enough’ is pretty much unquantifiable.  But here’s what I think.

I think we’re learning how to value the people in our lives and the connections we share more mindfully than ever before.  This is in no small part thanks to wonderful ideas being shared by Joshua Fields Millburn and Ryan Nicodemus, aka The Minimalists, and others, like Courtney Carver of Be More With Less and Beth Kirby of Local Milk.

The power (and clutter) of words

The ideas of these incredible folk apply to communication, just as they do to ‘things’.  Saying ‘just enough’ all comes back to human interaction – communicating simply, yet meaningfully.

Using words to communicate, no matter the language, is incredibly powerful.  The thing is – every single word matters.  Yet, in a world where so many words exist, it seems ironic that we don’t always encounter the right words or the words we need most.  Daily, we see words which are misused, over-used, or deliberately used to create division.

I know it’s quite a simple example, but here’s one way to illustrate how words have been wasted, not so much in terms of length, but in terms of a lack of meaning communicated.  A generation ago, as children, we were taught to use a brief reply, ‘Well thanks’, when someone asked us how we were doing. But, that wasn’t really enough.  Unless we were simply ‘well’, then we should have felt free to express how we were actually doing.  That was in a time where children were meant to be seen and not heard.

Fortunately, more recently, children are encouraged to ‘use your words’ to explain how they’re feeling (often, at the height of a mini-meltdown!) and, when the child does so, that child’s parents breathe a sigh of relief that comes with understanding what’s really going on for their little one. Building a world where a reply is a genuine response surely matters more.  When young children learn that there’s not always the ‘right’ answer, the ‘best’ answer or the ‘quick’ answer, they are gifted the opportunity to use words authentically.  They learn about the power of words through the exchange.

Conversely, there’s no question that there are too many words flying around in our lives today – cluttering our minds, our screens and our pages.  According to Jeff Ansell, in an article on linkedin.com, the average person speaks at least 7000 words per day, yet many of them serve little or no purpose at all.  Note, this is a count of actual words spoken.  It’s a fantastic article, well worth the read, and links to another valuable article on ‘Doing fewer things, better’.

Speaking of reading (there I go advising you to read more!), in terms of how many words we read or see in a day, one estimate has it at over 400 000!  In addition, we hear another 20 000 to 30 000 words in a 24 hour period.

No wonder we’re feeling a little bombarded!

How to use ‘just enough’ words

How about this?

  • How about saying just enough to express an idea, a thought or a point clearly and kindly?
  • How about leaving space for your listener or your reader to think about what you’ve had to say?
  • How about leaving space to listen or to read the ideas of others?

I’m going to do it right now.  According to the blog length advice I quoted earlier in the article, I’m about 500 words short in terms of the ‘ideal’ minimum length if I want this blog to rank well in search engines.  Despite that, I feel like I’ve said just what I wanted to say.

For me, 1191 words works.  It’s enough.

Catherine